Lyrical Miracle-style music is often associated with rappers and rap fans who are mentally stuck in the 90s or early 2000s and decry contemporary genre styles (such as trap, "mumble" rap or emo rap) as being "meaningless mainstream garbage" and not " real hip-hop". As a result, many Lyrical Miracle artists often use a lot of words without actually saying anything. Rappers who practice Lyrical Miracle songwriting often try to rap really fast and jump from topic to topic in their songs. Some rappers pour their souls into their lyrics, and you can bet that a rapper like Scarface wouldn't dare use a potentially effeminate word like "diary" unless he was doing just that.A pejorative for rap lyrics that are super lame and corny but delivered with a sense of extreme confidence. This line speaks to how important rap is - how important any form of expression is - to the artist as more than just a career or way to entertain. Scarface's rap was his diary, and this song comes off his album named, that's right, The Diary. It's funny how it can be easier to talk to the world than to your own mother. "I got this killa up inside of me/I can't talk to my mother so I talk to my diary." It's a great line, because the "motherfucker" does stand out in Lauryn's otherwise clean verse it perks you up, but she's still using the word in an enlightened manner, thus getting the point across without compromising the quality of her lyrics. Lauryn Hill gives a taste of her biting wit and humor, commenting on the state of music - hip-hop in particular. "And even after all my logic and my theory/I add a "Motherfucker" so you ignorant niggas hear me." The believability of the meeting story makes CL's thank-you to Troy that much more powerful. The story of how Troy and CL met may seem incidental, but it is those kinds of idiosyncratic specifics that make the story so genuine and the nostalgia so poignant. The whole purpose of this song, as indicated in the title, is to honor memory and reminisce about a friend who's passed. "T to the R-uh-O-Y, how did you and I meet?/In front of Big Lou's, fighting in the street/But only you saw what took many time to see/I dedicate this to you for believing in me." And he makes it sound easy and fluent - like a finger roll in basketball. The image of a seamstress sitting at her machine, running through mundane line after line, just seems to fit with a mediocre rapper, so the simile is so apt. Wale is a cool cat, and his wordplay here is seamless. When combined, the gap between what we need and what he have is clear and startling. He then pairs this with a commentary on the priorities of the day's youth, who are more concerned with video games than practical knowledge. Mos Def raises the stakes of this rhyme in the first line by presenting the challenges humanity faces in this day in age. "Crack mothers, crack babies and AIDS patients/Youngbloods can't spell, but they could rock you in PlayStation." The 50 worst rock/pop lyrics of all time: The complete list The 50 worst rap lyrics: The complete list Is technical skill the prime consideration? Poetic quality? Historical significance? Keep reading for the full countdown to see which rhymes struck as some of the best of all time. Selecting the very best lyrics from a library of oh so many is a tough task. This week, we even things out by taking a look at the other end of the spectrum and examining rap lyrics to find cleverness and wordplay worthy of being praised. Going through all the dreck and drivel to get to the crème de la crème of crappiness was tedious and rather exhausting. Last week, we took a look at the fifty worst rap lyrics of all time.
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